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but honestly have you all watched this

modelmeth:

Spring 2015 Ready-to-Wear
Stella McCartney

modelmeth:

Spring 2015 Ready-to-Wear

Stella McCartney

aquaticwonder:

Herb Ritts

aquaticwonder:

Herb Ritts

msnbc:


"From 2006 to 2012, a white police officer killed a black person at least twice a week in this country." - MHP

Melissa Harris-Perry gives a heart-wrenching tribute to the deaths of black men that have occurred at the hands of police in the past decade.

msnbc:

"From 2006 to 2012, a white police officer killed a black person at least twice a week in this country." - MHP

Melissa Harris-Perry gives a heart-wrenching tribute to the deaths of black men that have occurred at the hands of police in the past decade.

61cy:

groundwave s/s 2015

61cy:

groundwave s/s 2015

logos
ハイスイノナサ
動物の身体
437times

ongakuneko:

hanataiyouame:

ハイスイノナサ / logos

Revisiting some of their material and fffffffffffffffffffffffffffffuck

brownpeopleproblems:

Here is a difference. Black/Brown/Yellow face is used to humiliate. White face is packaged in a bottle, marketed as a key for success and labelled Fair and Lovely. And it sells.

koreanmodel:

Lee Seong Kyeong at Roliat Spring 2015 Seoul Fashion Week

koreanmodel:

Lee Seong Kyeong at Roliat Spring 2015 Seoul Fashion Week

997:

When Araki was twenty he saw Ed van der Elsken’s 54 photobook Love on the Left Bank. Inspired he made images referencing the poses he found within it. His 2014 exhibition at Tokyo's Taka Ishii Gallery returns to the theme; steadily losing the sight in his right eye though undeterred in his shooting, Araki shot hundreds of images onto slide film then obscuring the right half of each image with a marker pen before printing them. The resulting images play with Araki's usual themes; death, love, life, sex.

Nobuyoshi Araki “Love on the Left Eye”. Published by Taka Ishii Gallery, 2014.

X

jpnvines:

僕の”フリーカラー”ペン。My “Free Color” pen. #ginzablow 〜 (GIN)銀三郎

My “Free Color” pen. My “Free Color” pen. #ginzablow 〜 (GIN)銀三郎

yukiovsky:

Green Snake ( Tsui Hark, 1993)